The job of pre-viz is to show clearly the relationship of camera to story/space - to block out the action, and achieve what the animatic can not. If your pre-vis is communicating your story effectively, then it is 'enough' in this instance - remember, it's all in the service of communicating your intentions as a director - not as a modeller.
The job of pre-viz is to show clearly the relationship of camera to story/space - to block out the action, and achieve what the animatic can not. If your pre-vis is communicating your story effectively, then it is 'enough' in this instance - remember, it's all in the service of communicating your intentions as a director - not as a modeller.
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